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Shakespeare's Monologues



Morocco — “Mislike me not for my complexion” — The Merchant of Venice, Act 2, Scene 1, line 1

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The Merchant of Venice Play summary   ·II i 1Scene summary  · Verse
Morocco

Prince of Morocco. Mislike me not for my complexion,
The shadow'd livery of the burnish'd sun,
To whom I am a neighbour and near bred.
Bring me the fairest creature northward born,
Where Phoebus' fire scarce thaws the icicles,
And let us make incision for your love,
To prove whose blood is reddest, his or mine.
I tell thee, lady, this aspect of mine
Hath fear'd the valiant: by my love I swear
The best-regarded virgins of our clime
Have loved it too: I would not change this hue,
Except to steal your thoughts, my gentle queen.

Portia. In terms of choice I am not solely led
By nice direction of a maiden's eyes;
Besides, the lottery of my destiny
Bars me the right of voluntary choosing:
But if my father had not scanted me
And hedged me by his wit, to yield myself
His wife who wins me by that means I told you,
Yourself, renowned prince, then stood as fair
As any comer I have look'd on yet
For my affection.


Prince of Morocco. Even for that I thank you:
Therefore, I pray you, lead me to the caskets
To try my fortune. By this scimitar
That slew the Sophy and a Persian prince
That won three fields of Sultan Solyman,
I would outstare the sternest eyes that look,
Outbrave the heart most daring on the earth,
Pluck the young sucking cubs from the she-bear,
Yea, mock the lion when he roars for prey,
To win thee, lady. But, alas the while!
If Hercules and Lichas play at dice
Which is the better man, the greater throw
May turn by fortune from the weaker hand:
So is Alcides beaten by his page;
And so may I, blind fortune leading me,
Miss that which one unworthier may attain,
And die with grieving.
Modern paraphrasing 👆 Click for a double-spaced PDF of this monologue

In Act 2, Scene 1 of “The Merchant of Venice,” the Prince of Morocco arrives at Belmont to attempt the casket challenge for Portia’s hand in marriage. He begins by acknowledging his dark complexion, asking Portia not to judge him by his skin color, as he is as valorous and noble as any pale-skinned northern suitor. Morocco boasts of his courage and accomplishments, claiming he has been feared by the bravest men and has won the affections of the finest maidens in his land. He declares that he would not change his complexion except to win Portia’s favor, and challenges any suitor to prove themselves worthier by drawing blood to see whose is redder.

Portia responds diplomatically, stating that she is not led solely by the direction of her eyes in matters of the heart, and that in any case, she is bound by the terms of her father’s will and cannot choose her husband freely. She assures Morocco that he stands as fair a chance as any suitor who has come to try the lottery of the caskets. Morocco must swear an oath before attempting the challenge: if he chooses incorrectly, he must never reveal which casket he selected, must depart immediately, and must never afterward propose marriage to any woman. Morocco readily accepts these conditions and agrees to take the oath before dinner, after which he will make his attempt at the casket test.

The Merchant of Venice centers on Bassanio, a young Venetian gentleman who needs money to court the wealthy heiress Portia in Belmont. His friend Antonio, a merchant, agrees to help but has no ready cash since his ships are at sea. Antonio borrows 3,000 ducats from Shylock, a Jewish moneylender, with the unusual condition that if the loan isn’t repaid within three months, Shylock may take a pound of Antonio’s flesh. Meanwhile, Shylock’s daughter Jessica elopes with the Christian Lorenzo, taking her father’s money and jewels.

In Belmont, Portia’s deceased father has decreed that her suitors must choose correctly among three caskets—gold, silver, and lead—to win her hand. The Prince of Morocco and the Prince of Arragon both choose incorrectly and depart. When Bassanio arrives and selects the lead casket, he wins Portia, while his friend Gratiano wins her maid Nerissa. Their celebrations are interrupted by news that Antonio’s ships have been lost and Shylock demands his pound of flesh.

Portia and Nerissa disguise themselves as a lawyer and clerk and travel to Venice for Antonio’s trial. In court, Portia grants Shylock his legal right to the flesh but warns he may take no blood and must cut exactly one pound—an impossible task. Defeated, Shylock loses his bond and, under Venetian law, must forfeit half his wealth and convert to Christianity. The disguised Portia requests Bassanio’s wedding ring as payment, which he reluctantly gives. Back in Belmont, Portia playfully scolds her husband for giving away his ring before revealing her disguise. The play concludes with news that Antonio’s ships have safely returned, restoring his fortune.