Shakespeare's Monologues
Tip Jar
Morocco — “Some god direct my judgement. Let me see” — The Merchant of Venice, Act 2, Scene 7, line 15
The Merchant of Venice
·II vii 15 ·
Verse
Morocco Some god direct my judgment! Let me see; I will survey the inscriptions back again. What says this leaden casket? 'Who chooseth me must give and hazard all he hath.' Must give: for what? for lead? hazard for lead? This casket threatens. Men that hazard all Do it in hope of fair advantages: A golden mind stoops not to shows of dross; I'll then nor give nor hazard aught for lead. What says the silver with her virgin hue? 'Who chooseth me shall get as much as he deserves.' As much as he deserves! Pause there, Morocco, And weigh thy value with an even hand: If thou be'st rated by thy estimation, Thou dost deserve enough; and yet enough May not extend so far as to the lady: And yet to be afeard of my deserving Were but a weak disabling of myself. As much as I deserve! Why, that's the lady: I do in birth deserve her, and in fortunes, In graces and in qualities of breeding; But more than these, in love I do deserve. What if I stray'd no further, but chose here? Let's see once more this saying graved in gold 'Who chooseth me shall gain what many men desire.' Why, that's the lady; all the world desires her; From the four corners of the earth they come, To kiss this shrine, this mortal-breathing saint: The Hyrcanian deserts and the vasty wilds Of wide Arabia are as thoroughfares now For princes to come view fair Portia: The watery kingdom, whose ambitious head Spits in the face of heaven, is no bar To stop the foreign spirits, but they come, As o'er a brook, to see fair Portia. One of these three contains her heavenly picture. Is't like that lead contains her? 'Twere damnation To think so base a thought: it were too gross To rib her cerecloth in the obscure grave. Or shall I think in silver she's immured, Being ten times undervalued to tried gold? O sinful thought! Never so rich a gem Was set in worse than gold. They have in England A coin that bears the figure of an angel Stamped in gold, but that's insculp'd upon; But here an angel in a golden bed Lies all within. Deliver me the key: Here do I choose, and thrive I as I may! 
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In Act II, Scene 7 of “The Merchant of Venice,” the Prince of Morocco arrives at Belmont to attempt the casket test that will determine whether he can win Portia’s hand in marriage. Portia leads him to the room containing the three caskets - one of gold, one of silver, and one of lead - each bearing an inscription that offers a clue to the correct choice. The gold casket reads “Who chooseth me shall gain what many men desire,” the silver casket states “Who chooseth me shall get as much as he deserves,” and the lead casket warns “Who chooseth me must give and hazard all he hath.”
After deliberating aloud about the merits of each casket, Morocco ultimately chooses the gold casket, reasoning that Portia is surely what many men desire and that nothing less than gold could contain her portrait. However, when he opens the golden casket, he finds not Portia’s picture but a skull with a scroll warning against judging by appearances and informing him that his suit has failed. Disappointed and embarrassed, Morocco takes his leave of Portia, who expresses relief at his departure, admitting she would not have wanted him as a husband regardless of his gentle nature.
The Merchant of Venice centers on Bassanio, a young Venetian gentleman who needs money to court the wealthy heiress Portia in Belmont. His friend Antonio, a merchant, agrees to help but has no ready cash since his ships are at sea. Antonio borrows 3,000 ducats from Shylock, a Jewish moneylender, with the unusual condition that if the loan isn’t repaid within three months, Shylock may take a pound of Antonio’s flesh. Meanwhile, Shylock’s daughter Jessica elopes with the Christian Lorenzo, taking her father’s money and jewels.
In Belmont, Portia’s deceased father has decreed that her suitors must choose correctly among three caskets—gold, silver, and lead—to win her hand. The Prince of Morocco and the Prince of Arragon both choose incorrectly and depart. When Bassanio arrives and selects the lead casket, he wins Portia, while his friend Gratiano wins her maid Nerissa. Their celebrations are interrupted by news that Antonio’s ships have been lost and Shylock demands his pound of flesh.
Portia and Nerissa disguise themselves as a lawyer and clerk and travel to Venice for Antonio’s trial. In court, Portia grants Shylock his legal right to the flesh but warns he may take no blood and must cut exactly one pound—an impossible task. Defeated, Shylock loses his bond and, under Venetian law, must forfeit half his wealth and convert to Christianity. The disguised Portia requests Bassanio’s wedding ring as payment, which he reluctantly gives. Back in Belmont, Portia playfully scolds her husband for giving away his ring before revealing her disguise. The play concludes with news that Antonio’s ships have safely returned, restoring his fortune.
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