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Henry VI ii
·V i 91 ·
Verse
York How now! is Somerset at liberty? Then, York, unloose thy long-imprison'd thoughts, And let thy tongue be equal with thy heart. Shall I endure the sight of Somerset? False king! why hast thou broken faith with me, Knowing how hardly I can brook abuse? King did I call thee? no, thou art not king, Not fit to govern and rule multitudes, Which darest not, no, nor canst not rule a traitor. That head of thine doth not become a crown; Thy hand is made to grasp a palmer's staff, And not to grace an awful princely sceptre. That gold must round engirt these brows of mine, Whose smile and frown, like to Achilles' spear, Is able with the change to kill and cure. Here is a hand to hold a sceptre up And with the same to act controlling laws. Give place: by heaven, thou shalt rule no more O'er him whom heaven created for thy ruler. |
In Act V, Scene 1 of Henry VI, Part 2, King Henry VI arrives at the scene of battle near Saint Albans with his forces. York enters and confronts the King directly, declaring his claim to the throne and demanding that Henry step down. The King attempts to reason with York, reminding him of past oaths of loyalty, but York refuses to yield. Queen Margaret arrives and engages in heated verbal combat with York, showing far more aggressive defiance than her husband. She mocks York’s pretensions and rallies support for Henry’s cause. The confrontation escalates as York’s sons Edward and Richard arrive to support their father’s claim.
The scene dissolves into individual combat challenges as the Wars of the Roses move toward open battle. Clifford enters seeking revenge for his father’s death at York’s hands, and exchanges threats with York and his sons. Warwick also appears, pledging his powerful support to York’s cause. The scene fragments into multiple personal confrontations as various nobles pair off to fight one another. King Henry, overwhelmed by the violence erupting around him and unable to control the situation, withdraws from the field with Queen Margaret. The scene ends with the various factions departing to engage in battle, setting the stage for the violent confrontations that will follow.
Henry VI, Part II opens with King Henry VI’s marriage to Margaret of Anjou, which was arranged as part of a peace treaty with France. The marriage proves politically disastrous, as Henry has agreed to surrender Maine and Anjou to France and provide no dowry, angering the English nobles. The Duke of Gloucester, Henry’s uncle and Lord Protector, opposes the marriage terms, while Cardinal Beaufort and the Duke of Suffolk, who arranged the marriage, work to undermine Gloucester’s influence. Queen Margaret quickly emerges as an ambitious figure who resents Gloucester’s power and begins plotting against him alongside Suffolk and other nobles.
The central conflict develops around the destruction of Gloucester, known as “Good Duke Humphrey.” Through a series of machinations involving his wife Eleanor’s involvement with conjurers and fortune-tellers, Gloucester is stripped of his position as Lord Protector. Eleanor is banished after being convicted of witchcraft, leaving Gloucester vulnerable. Margaret, Suffolk, Cardinal Beaufort, and others conspire to have Gloucester arrested on charges of treason. Before he can defend himself in trial, Gloucester is murdered in his bed, likely on Suffolk’s orders, shocking King Henry and the common people who loved Gloucester.
The aftermath of Gloucester’s murder destabilizes the realm further. Suffolk is banished by Henry after popular outcry against him, but he is captured and killed by pirates during his exile. Cardinal Beaufort dies tormented by guilt over Gloucester’s death. Meanwhile, Jack Cade leads a popular rebellion in Kent, claiming to be John Mortimer and demanding justice for the common people. Cade’s forces march on London, causing chaos and executing several nobles and officials before the rebellion is eventually suppressed. The play concludes with the return of Richard, Duke of York, from Ireland with an army, ostensibly to remove the remaining “traitors” around the king but actually to press his own claim to the throne, setting the stage for the Wars of the Roses that will dominate the final play in the trilogy.