Light Mode

Shakespeare's Monologues



Constance — “A wicked day, and not a holy day!” — King John, Act 3, Scene 1, line 87



King John Play summary   ·III i 87Scene summary  · Verse
Constance

A wicked day, and not a holy day!
[Rising]
What hath this day deserved? what hath it done,
That it in golden letters should be set
Among the high tides in the calendar?
Nay, rather turn this day out of the week,
This day of shame, oppression, perjury.
Or, if it must stand still, let wives with child
Pray that their burthens may not fall this day,
Lest that their hopes prodigiously be cross'd:
But on this day let seamen fear no wreck;
No bargains break that are not this day made:
This day, all things begun come to ill end,
Yea, faith itself to hollow falsehood change!
Modern paraphrasing 👆 Click for a double-spaced PDF of this monologue

Original: A wicked day, and not a holy day!
Modern: This is an evil day, not a sacred one!

Original: What hath this day deserved? what hath it done,
Modern: What has this day done to deserve such honor? What has it accomplished

Original: That it in golden letters should be set
Modern: That it should be written in golden letters

Original: Among the high tides in the calendar?
Modern: Among the most important feast days on the calendar?

Original: Nay, rather turn this day out of the week,
Modern: No, instead we should remove this day from the week entirely,

Original: This day of shame, oppression, perjury.
Modern: This day of disgrace, cruelty, and lies.

Original: Or, if it must stand still, let wives with child
Modern: Or, if this day must remain, let pregnant women

Original: Pray that their burthens may not fall this day,
Modern: Pray that they don’t give birth on this day,

Original: Lest that their hopes prodigiously be cross’d:
Modern: So their dreams won’t be cursed by bad omens:

Original: But on this day let seamen fear no wreck;
Modern: But on this day, let sailors not worry about shipwrecks;

Original: No bargains break that are not this day made:
Modern: Let no agreements be broken except those made today:

Original: This day, all things begun come to ill end,
Modern: On this day, everything that starts will end badly,

Original: Yea, faith itself to hollow falsehood change!
Modern: Yes, even faith itself turns into empty lies!

In Act III, Scene 1 of “King John,” the scene opens in the French King’s pavilion where King Philip of France, Lewis the Dauphin, Pandulph (the papal legate), and Constance are present. Constance is overcome with grief over the recent turn of events—the newly forged peace between England and France through the marriage of Blanche and Lewis, which has undermined her son Arthur’s claim to the English throne. She expresses her anguish dramatically, refusing to be comforted by King Philip or Pandulph. Cardinal Pandulph then delivers news that fundamentally disrupts the peace: King John has defied the Pope’s authority by refusing to accept Stephen Langton as Archbishop of Canterbury. Pandulph demands that King Philip break his new alliance with England and take up arms against John, threatening excommunication if Philip maintains the peace treaty.

The scene becomes increasingly tense as King Philip finds himself torn between his new alliance with England (sealed by his son’s marriage to John’s niece) and his duty to the Church. Despite Philip’s reluctance and the Dauphin’s initial resistance, Pandulph’s religious authority and threats prove compelling. The Bastard Philip Faulconbridge and Queen Eleanor arrive, and John himself enters, leading to heated exchanges about loyalty, legitimacy, and the Pope’s authority. Ultimately, the papal legate’s pressure succeeds: King Philip renounces his peace with England, and the scene ends with both sides preparing to return to war, with Blanche caught tragically between her new husband and her uncle, forced to face the prospect of warfare between her family and her marriage.

King John opens with King Philip of France supporting Arthur, the young son of John’s deceased brother Geoffrey, as the rightful heir to the English throne. John’s mother, Queen Eleanor, and the French court engage in heated disputes over legitimacy. Meanwhile, the Bastard (Philip Faulconbridge), illegitimate son of Richard the Lionheart, joins John’s cause after being legitimized. War breaks out between England and France, with the strategic town of Angiers caught between the two armies.

The conflict temporarily resolves when John’s niece Blanche marries the French Dauphin Lewis, uniting the two kingdoms. However, Cardinal Pandulph arrives from Rome and excommunicates John for refusing to accept Stephen Langton as Archbishop of Canterbury. The Cardinal persuades France to break the peace and resume war against the excommunicated English king. In the ensuing battle, Arthur is captured by John’s forces.

John orders Hubert to kill the young Arthur, but Hubert cannot bring himself to murder the child and instead hides him. When Arthur later dies attempting to escape from his prison tower, the English nobles believe John has murdered him and defect to join the invading French forces led by the Dauphin. As John faces rebellion from within and invasion from without, he submits to the Pope’s authority to regain legitimacy. However, he falls ill and is poisoned by a monk at Swinstead Abbey.

The Bastard rallies the remaining English forces and discovers that the French nobles plan to kill their English allies after victory. This intelligence helps reconcile the English lords to their king. John dies, and his young son Henry is crowned King Henry III. The Dauphin withdraws his forces, and Cardinal Pandulph negotiates peace. The play concludes with the Bastard delivering a patriotic speech about England’s strength when united against foreign threats.