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King John
·III iv 98 ·
Verse
Constance Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form; Then, have I reason to be fond of grief? Fare you well: had you such a loss as I, I could give better comfort than you do. I will not keep this form upon my head, When there is such disorder in my wit. O Lord! my boy, my Arthur, my fair son! My life, my joy, my food, my all the world! My widow-comfort, and my sorrows' cure! |
Original: Grief fills the room up of my absent child,
Modern: My grief for my missing child fills up every space in this room,
Original: Lies in his bed, walks up and down with me,
Modern: It lies in his bed and walks back and forth with me,
Original: Puts on his pretty looks, repeats his words,
Modern: It wears his beautiful expressions and echoes his voice,
Original: Remembers me of all his gracious parts,
Modern: It reminds me of all his wonderful qualities,
Original: Stuffs out his vacant garments with his form;
Modern: It fills his empty clothes as if his body were still in them;
Original: Then, have I reason to be fond of grief?
Modern: So don’t I have good reason to love my grief?
Original: Fare you well: had you such a loss as I,
Modern: Goodbye to you: if you had suffered a loss like mine,
Original: I could give better comfort than you do.
Modern: I could offer you better comfort than you’re giving me.
Original: I will not keep this form upon my head,
Modern: I won’t keep up this polite appearance,
Original: When there is such disorder in my wit.
Modern: When my mind is in such chaos.
Original: O Lord! my boy, my Arthur, my fair son!
Modern: Oh God! My boy, my Arthur, my beautiful son!
Original: My life, my joy, my food, my all the world!
Modern: My life, my happiness, my nourishment, my entire world!
Original: My widow-comfort, and my sorrows’ cure!
Modern: My comfort in widowhood, and the only cure for my sadness!
In Act III, Scene 4 of King John, the scene opens with King John, Hubert, and various lords discussing the recent developments following Arthur’s supposed death. The King appears troubled and restless, while the nobles express their concerns about the political ramifications of Arthur’s demise. Cardinal Pandulph enters with news from France, and there are discussions about the ongoing conflict and diplomatic negotiations. The scene centers on the political maneuvering and the consequences of the actions that have transpired, with various characters weighing their options and allegiances.
The scene progresses with continued dialogue about military strategy and the shifting power dynamics between England and France. Characters debate the wisdom of recent decisions and consider their next moves in the ongoing conflict. Hubert plays a significant role in the discussions, as do the other nobles who voice their perspectives on the current state of affairs. The scene concludes with the characters making preparations for what is to come, setting up the dramatic tensions that will unfold in the subsequent acts of the play.
King John opens with King Philip of France supporting Arthur, the young son of John’s deceased brother Geoffrey, as the rightful heir to the English throne. John’s mother, Queen Eleanor, and the French court engage in heated disputes over legitimacy. Meanwhile, the Bastard (Philip Faulconbridge), illegitimate son of Richard the Lionheart, joins John’s cause after being legitimized. War breaks out between England and France, with the strategic town of Angiers caught between the two armies.
The conflict temporarily resolves when John’s niece Blanche marries the French Dauphin Lewis, uniting the two kingdoms. However, Cardinal Pandulph arrives from Rome and excommunicates John for refusing to accept Stephen Langton as Archbishop of Canterbury. The Cardinal persuades France to break the peace and resume war against the excommunicated English king. In the ensuing battle, Arthur is captured by John’s forces.
John orders Hubert to kill the young Arthur, but Hubert cannot bring himself to murder the child and instead hides him. When Arthur later dies attempting to escape from his prison tower, the English nobles believe John has murdered him and defect to join the invading French forces led by the Dauphin. As John faces rebellion from within and invasion from without, he submits to the Pope’s authority to regain legitimacy. However, he falls ill and is poisoned by a monk at Swinstead Abbey.
The Bastard rallies the remaining English forces and discovers that the French nobles plan to kill their English allies after victory. This intelligence helps reconcile the English lords to their king. John dies, and his young son Henry is crowned King Henry III. The Dauphin withdraws his forces, and Cardinal Pandulph negotiates peace. The play concludes with the Bastard delivering a patriotic speech about England’s strength when united against foreign threats.